CATALOGUES:
(linked texts are reproduced here for scholarship purposes alone, or to external websites when available online)
VIDEO & AUDIO MEDIA:
Country Road Group/Trenery (2018). Trenery Guild - Pierre Fouché. [video] Available at: https://youtu.be/eTuReT31nHE [Accessed 30 May 2018].
ARTICLES/REVIEWS:
RECENT:
Lambert, M. 2023. Informed Source - Obscuring for Clarity: The Laceworks of Pierre Fouché. in Surface Design Journal. Winter 2023. p44-47
Hart, S. 2021. 'Festival put Craft on the Horizon'. Art Guide Australia. Sep./Oct. (text file)
Huchet, M. 2021. 'La dentelle retrouve ses lettres de noblesse/Lace Regains its Noble Status' TL Magazine. Issue 35. Spring/Summer 2021. p.189
ALL:
a.u. 2006. ‘Listings: International: South Africa: Pierre Fouché at Bell-Roberts’ Modern Painters. November.
Boshoff, L. 2015. The Bare Thread (online) available: http://www.louisboshoff.com/2015/03/11/the-bare-thread/
Burger, F. 2008. Review: Convoluted Involvement. Artsouthafrica. Vol.7, issue 2. summer. p.103
Chemaly, T.L. 2010. Affairs of the heart. Top Billing Magazine. February. p.12-13
De Swardt, A. 2011. Another aperture - craft towards and alternative photography (Catalogue essay in Pierre Fouché Selected Work 1999-2011), Cape Town: Whatiftheworld.
Fouché, P. 2006. The distance between us : strategizing a queer, personal and social politic. Thesis presented in partial fulfilment of the requirements of the degree Master of Arts (Fine Arts) at the University of Stellenbosch. (Underlined title links to a PDF file of the manuscript)
Fouché, P. 2010. Kunskyk: Gonzales Torres bring sterk boodskap oor verlies. Die Burger. Sat. 30 Jan. p.10.
Fouché, P. 2011. The Alchemy of the Sculptress (Catalogue essay in the artist monograph Daniella Mooney - Maybe Your Magic is Working). Cape Town: Whatiftheworld: p10-13.
Grobler, L. 2006. Glippende Herinneringe. Die Burger. 23 Nov.
Gurney, K. 2007. Emotional Exorcism. Artsouthafrica. vol.5, issue 4, winter, p56-58.
Gurney, K. 2007. ‘Engendering debate: Situating a legacy of men’. In McInnes, J. (ed.) 2007. A legacy of men. Johannesburg: David Krut (Catalogue for an exhibition held at the Johannesburg Art Gallery, Johannesburg, 25 November to 14 February). p.11.
Hoffman, A. 2014. Fadenzeichnungen mit Farbschattierungen - Der Südafrikaner Pierre Fouché macht aus traditionellen Handwerkstechniken Gegenwartskunst. Basler Zeitung, 12 March 2014.
Hart, S. 2021. 'Festival put Craft on the Horizon'. Art Guide Australia. Sep./Oct.
Huchet, M. 2021. 'La dentelle retrouve ses lettres de noblesse/Lace Regains its Noble Status' TL Magazine. Issue 35. Spring/Summer 2021. p.189
Keylock, M. 2008. Review: Convoluted Involvement. Mail & Guardian. 31 October.
Keylock, M. 2010. Swallowing pride. Mail & Guardian. 26 Feb. p.10.
Kuijers, I. & Pollak, L. 2017. Movement Ensnared: Pierre Fouché’s ‘Vreesaanjaende Verligting’ (online) available: https://artthrob.co.za/2017/08/17/movement-ensnared-pierre-fouches-vreesaanjaende-verligting/
Lambert, M. 2023. Informed Source - Obscuring for Clarity: The Laceworks of Pierre Fouché. in Surface Design Journal. Winter 2023. p44-47
Leibbrandt, T. 2014. Brave New World - Various Artists at Iziko South African National Gallery (online) available: http://www.artthrob.co.za/Reviews/Tim_Leibbrandt_reviews_Brave_New_World_by_Various_Artists_at_Iziko_South_African_National_Gallery.aspx
McInnes, J. 2006. Six of the best. The big issue (South Africa). Issue 105, volume 10, April.
McInnes, J. (ed.) 2007. A legacy of men. Johannesburg: David Krut (Catalogue for an exhibition held at the Johannesburg Art Gallery, Johannesburg, 25 November to 14 February). p.13.
Minnaar, M. 2006. Fine essay on relationships. Cape Times. 22 November.
Minnaar, M. 2012. Fouché se konsepkuns verruim. Die Burger. 5 October
Minnaar, M. 2017. Bekoorlike Omgang met Estetika, Medium. Die Burger. 25 July
Morris, C. 2016. Artists we love: Pierre Fouché (online) available: https://www.visi.co.za/artists-we-love-pierre-fouche/
Myburg, J. 2008. Onthou, besweer die afwesige. Beeld, 22 September. P. 22 (underlined title provides a link to a translated version of this article)
Panchia, B. 2020. Abri de Swardt’s Ridder Thirst LP project (online) available: https://africanah.org/abri-de-swardts-ridder-thirst-lp-project/
Pollock, L. 2010. Ways of seeing - at the ORE Gallery. Arttimes: Businessart. July 2010. p.8
Pollock, L. 2010. The Menippean Uprising. South African Art Times. November 2010. p.29. (Underlined title provides a link to a 3MB PDF file)
Pople, L. 2007. L’Atelier wenner op die regte pad. Die Burger. 1 August. p.11.
Saptouw, F. 2006. Review: The distance between us [online] available: http://www.artthrob.co.za/06dec/reviews/bellroberts.html
Stephen, J. 2012. Young African Artists 2012 - Pierre Fouche. Business Day Wanted Magazine.
Stielau, A. 2015. Wound Thread: Pierre Fouché’s lacemaking (online) available: http://artthrob.co.za/2015/03/23/wound_thread/
Stupart, L. 2011. Double Negative - Performance, Performativity and the Queer Impostor
(Catalogue essay in Pierre Fouché Selected Work 1999-2011), Cape Town: Whatiftheworld. (The underlined title provides a link to an 112KB PDF version of this article)
Swinkels, D. 2014. 'Erotiek in katoen en kant - Pierre Fouché over thema en techniek' in Textiel Plus. No 229. Autumn. ISSN:0927-7560. p.36,37
Van der Vyfer, L. 2007. Vyf vrae aan Pierre Fouché. De Kat. October: Summer. p.27
Williamson, S. 2006. Pierre Fouché: Artbio. in Artthrob [online] available: http://www.artthrob.co.za/07sept/artbio.html
Zaaiman, C. 2004. Art at your service: D.I.E.N.S. at the KKNK [online] available: http://www.artthrob.co.za/04may/project.html
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(linked texts are reproduced here for scholarship purposes alone, or to external websites when available online)